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31

 

March

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2

 

April

   

7pm

   

7pm

Acis & Galatea

Acis & Galatea

Opera. La Nuova Musica, London Handel Festival

No Joy will last.

Love, beauty and innocence are corrupted by lust, darkness and death.  Handel’s seemingly simple drama offers us a chilling warning about the transience of human happiness and the inevitable reality that faces us all.

The story is simple: girl loves boy, a rival appears who wants the girl, she refuses and in a rage, the rival kills the boy.  Within this fairytale, we find evidence of the darkness that underlies the principles by which we lead our modern lives. We can glimpse the implicit structures to which we owe our existence. “Survival of the fittest” the great principle of evolution, implies death for those not so strong. It implies that the desires and wishes of the strong outweigh the innocence and ideals of the weak.

We may imagine that we live in an evolved society where everyone is equal and all work together for the greater good.  But here we see that we are animals who respond to our basic needs. We have evolved to where we are now, by killing our rivals, dominating those beneath us and exercising our desires without concern for their consequences on others.

In this production we focus on this stark reality and set our story within the context of these themes.  Our world is suffering thanks to our evolved practices, which on the face of it seem to be for the benefit of the many, but are in fact for the good of the few and carry with them the consequences of deep harm and ultimately death.

No Joy will last.

Love, beauty and innocence are corrupted by lust, darkness and death.  Handel’s seemingly simple drama offers us a chilling warning about the transience of human happiness and the inevitable reality that faces us all.

The story is simple: girl loves boy, a rival appears who wants the girl, she refuses and in a rage, the rival kills the boy.  Within this fairytale, we find evidence of the darkness that underlies the principles by which we lead our modern lives. We can glimpse the implicit structures to which we owe our existence. “Survival of the fittest” the great principle of evolution, implies death for those not so strong. It implies that the desires and wishes of the strong outweigh the innocence and ideals of the weak.

We may imagine that we live in an evolved society where everyone is equal and all work together for the greater good.  But here we see that we are animals who respond to our basic needs. We have evolved to where we are now, by killing our rivals, dominating those beneath us and exercising our desires without concern for their consequences on others.

In this production we focus on this stark reality and set our story within the context of these themes.  Our world is suffering thanks to our evolved practices, which on the face of it seem to be for the benefit of the many, but are in fact for the good of the few and carry with them the consequences of deep harm and ultimately death.

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