Atomised Listening is an interactive sound installation that explores our relationship with technology once it has become obsolete.

This unique installation transforms the chapel into a sanctuary of sound. It turns you from a listener into a performer. From a mixing desk surrounded by tape machines, you’ll create your own interpretation of a large sonic sculpture. Analog tape loops stretch toward the ceiling, creating a continuously evolving soundscape from otherwise obsolete technology.

Visitors will be invited into the exhibition space in small groups at regular intervals. They are welcome to listen, watch, and interact with the installation at their own pace. No technical knowledge or experience is necessary. Visitors are free to remain as long as they wish. Age guidance 12+

“Atomised Listening is the idea of a musical piece being seemingly disconnected moments rather than a unified composition, a concept by Theodor Adorno. In keeping with this, I have created a multi-channel, asynchronous work using obsolete tape machines. With this installation, the listener becomes the performer and is completely immersed in the experience. No technical knowledge is required to interact with the work. The sculpture’s form is ever-evolving and it changes at the hands of each user. The technology is no longer obsolete”

Paul Cousins is a sound artist & composer based in London. Using a collection of 1/4” reel-to-reel machines, tape echoes and other analog equipment, he creates music on the themes of repetition and imperfection. His compositions have featured in major installations at the Barbican, Whitechapel Gallery and in FACT magazine. In addition to releases with Decca Records, Castles in Space and BMG, in the studio he has worked on a diverse range of projects for major/indie labels and recorded Grammy winning artists.

Audio system provided by L-Acoustics

Tape Echo provided by Soundgas

Supported by Arts Council England